Color Drawing: Design Drawing Skills and Techniques for by Michael E. Doyle

By Michael E. Doyle

The 3rd version of Michael Doyle's vintage colour Drawing continues to be the final word updated source for pros and scholars who have to increase and speak layout rules with transparent, beautiful, amazing colour drawings.

Update with over a hundred pages, this 3rd version comprises a completely new part desirous about state of the art electronic options to enormously improve the sophistication of presentation drawings, and provides new and leading edge principles for the replica and distribution of accomplished drawings. colour Drawing, 3rd version Features:

A whole physique of illustrated directions demonstrating drawing improvement from preliminary proposal via ultimate presentation

Finely honed reasons of every strategy and process

Faster and more straightforward how one can create layout drawings

Over a hundred new pages demonstrating tools for combining hand-drawn and computer-generated drawing techniques

Step-by-step, easy-to-follow photos will lead you thru electronic strategies to fast and simply increase your presentation drawings.

About the Author
Michael E. Doyle (Boulder, CO), vice chairman and Senior fashion designer at CommArts in Boulder, CO, Architect and previous teacher at college of Colorado.

Table of Contents-
Acknowledgments.

Introduction.

PART I. colour DRAWING FOR COMMUNICATION.

1. preliminary Considerations.

2. Media and Paper.

3. Technique.

4. parts, fabrics, and Finishes.

5. Scale parts: Figures and Automobiles.

PART II. colour DRAWING FOR PRESENTATION.

6. colour and Composition in Illustration.

7. ways to making colour layout Drawings.

8. electronic colour Drawing.

Glossary.

Bibliography.

Design Credits.

Index.

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Copyright © 2015 by way of Jared Blando
Published by way of influence Books
eISBN: 9781440340321
This ebook version: July 2015 (v. 1. 0).

Additional info for Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers (3rd Edition)

Example text

It should not be used over color pencil, because its solvent will dissolve and consequently smear the pencil. Like all markers, it should be capped immediately after each use because it can dry out very quickly. One of the most versatile of the line media shown in figure 2-1 is the Black Prismacolor pencil. Its line is very dark and can, of course, vary in width. It is often used with a straightedge if its lines must be kept very thin. ” It erases fairly well, though not entirely, when an electric eraser is used.

0 R Fig. 0 R) is accom- VERY HIGH VALUE 8/ HIGH VALUE 7/ MEDIUM HIGH VALUE 6/ panied by descriptions of the numeric indications for the increments of value and chroma. The descriptions are by the author. 4/ LOW VALUE 3/ VERY LOW VALUE 2/ /2 /4 /6 /8 /10 /12 /14 VERY STRONG CHROMA MEDIUM LOW VALUE STRONG CHROMA 5/ MEDIUM STRONG CHROMA MEDIUM VALUE VALUE Ǟ MEDIUM CHROMA MEDIUM WEAK CHROMA Fig. qxp:Color Drawing 1 9/29/06 11:54 AM Page 31 C O L O R D R A W I N G F O R O M M U N I C A T I O N 1 Fig.

Sanford Prismacolor and Design Spectracolor pencils are two of the best brands of color pencil to use for the kind of color drawing discussed in this book. Both brands come in a wide variety of colors, are soft enough to apply easily and WHITE smoothly, and are able to impart a solid, brilliant color when necessary. The Bruynzeel design Fullcolor color pencils (Holland) and the Derwent Studio color pencils by the British company Rexel Cumberland are slightly harder than the Prismacolor and Spectracolor pencils, making it somewhat more difficult to create brilliant colors without indenting the paper surface.

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