By Courtney, F B , The Francis B
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Additional resources for Courtney Scrapbook, courtesy of Bob Hurford
Sample text
Start out by dodging some blobs into it, smudge those and blend, then go over it a little more with a smaller brush. com page37 v1 Elements : Fire and Smoke elementsFire Step 5 - (image 5) and Smoke Now that you have your basic fire, which is barely detailed at this point, you can go over it again with an Overlay soft brush with a dark red. Make sure the opacity is very low, I’d even say go with 5% or 10%. That’s all really for this step, just make sure you don’t go too overboard and wash out the orange.
Well this concludes the elements series which has proved to be an interesting and useful experience. A number of the subjects covered over the last year or so have been new to me and so each has provided a different challenge in their own right. I hope that you have enjoyed following them as much as I have enjoyed making them, and maybe even learnt something along the way. com page48 v1 Elements : Flesh Wounds Flesh Wounds Chapter 09 : By Benita Winckler Elements Flesh Wounds Introduction When I heard about this topic my first thoughts were: Ummm...
I have used a paler colour along the edges to show where the light manages to show through and basically painted in the main areas. You will also notice that the brush marks also roughly follow the direction that the fur has grown as indicated by the arrows. com page57 v1 Elements : Fur elementsFur Step 3 The next stage involves using a custom brush in conjunction with the smudge tool so that the edges may be softened somewhat and create the appearance of numerous strands of hair. In Fig03 you can see the shape of the brush in the upper left corner along with the marks it produces and in fig04 you can see the settings which are simple enough.